Father's Day

Towns and Ties #3

Brett Williams makes video, audio, performance, sculpture and installation and sometimes collaborates with me in Nosey Parker. I recently made it to his wonderfully air conditioned studio that he shares with his artist wife Jamie Kraher. Brett and I have a long history in collaboration that runs the gamet of new media. We've used guns and utopian architecture to express a uniquely American solidarity that was founded on the principles of Platonic ideals. Recently Brett has been active in high definition video and methods of displaying his thoughtfully crafted sequences so as to disrupt the preciousness of his art. When an artist uses video, more than likely audio has a significant presence. Brett creates soundscapes that mimic or join the flow of his quirky jump cut video creations. Jump cuts are like guitar riffs in early nineties indie rock found in the likes of Fugazi or Mission of Burma. Later we might hear this in bands such as Square Pusher or Climax Golden Twin. Brett's video's used to take the form of ridiculous self commercials. In these videos the artist might wear a beach towel cape while running through an empty gymnasium in front of seated on-lookers or he might be siting on the toilet nude while eating peanut butter. Later we see only his name paired with seemingly stupid moving graphics and an obnoxious soundtrack of home made instruments and electronic noize. Recently Brett has transitioned into combining video with discreet objects while maintaining the "lowfi" aesthetic in conjunction with very complicated new media processes. He likes to defy the glory of well made video and audio by translating it through shitty 2W speakers and old CRT screens but he's equally as interested in screening in well made video rooms with HiFi sound. It's the possibility of presence that interests this artist and I hope to continue in dialogue and possibly make some more free spirited shit with him.